Saturday, February 6, 2016
TALES FROM THE CRYPT (Freddie Francis, 1972, UK)
“Heh, heh. Welcome, boils and ghouls! This is the Crypt Keeper, your host of horrors, and your gruesome guide through the Crypt Of Terror. Our film involves five foul fiends and their cadaverous cavortings. Sit back on your bed of nails and prepare for my nauseating novelettes!”
Freddie Francis, the cinematographer on THE INNOCENTS (1961), which is perhaps one of the most beautifully photographed ghost stories ever, directs this hodgepodge of EC Comics tales, only two of which actually come from the bloody fabric of the Crypt Keepers rag. EC Comics are considered the apex of horror genre with their O’Henry flavored twist endings, pugnacious puns, and outstanding artwork by legends such as Johnny Craig, Wally Wood, and Ghastly Graham Ingels! These stories are bound together as the characters wander a labyrinthine tomb with little memory or specific knowledge of their arrival. They stumble upon a dark chamber haunted by a omniscient monk (That putrid puss filled persona is not me!!-CK) who delves deep into their despicable past and divulges their deadly deeds.
The best adaptation is the Christmas jingle AND ALL THROUGH THE HOUSE: On Christmas eve, Joanne Clayton murders her husband then hears an emergency broadcast concerning an escaped lunatic (an EC tradition) dressed as Santa. The story is layered with sappy holiday music and bright over-saturated visuals while the moribund suspense is deliberately unwrapped. REFLECTIONS OF DEATH concerns Carl Maitland, a husband who abandons his family for his paramour. Fate intervenes and a fiery crash leaves him wandering the darkness searching for home. POETIC JUSTICE is a neighborly valentine card written in blood; it really makes your heart skip a beat. Forever. WISH YOU WERE HERE is a slightly askew take on the Monkey’s Paw story that leaves us burning for more. And BLIND ALLEYS just wouldn't be complete without the razor wit in this dog-eat-dog tale.
The monk finally reveals that he is not warning them; they are condemned to an eternity of Hellfire. I still think that’s a bit harsh for Carl Maitland; after all, he was only an adulterer. By modern standards, TALES is not viscerally shocking but an amusingly ingenious and jugularly jocund cryptic collection.
Final Grade: (B-)